| The following is a list of the presets in the H3000 series:
150~12BYRD-STRING~MULTI-SHIFT~Nice,12-stringy program. Uses lower octave doubling. Watch clipping.~D/SX, D/SE, H3500 151~12 STRING & 5th~MULTI-SHIFT~Similar to 12BYRD STRING with added 5th above.~D/SX, D/SE, H3500 152~3+ OF ME~DUAL DIGIPLEX~Doubling delays.~D/SX, D/SE, H3500 153~60sSITAR FLANGE~SWEPT REVERB~Psychedelic, twangy flange and reverb.~D/SX, D/SE, H3500 154~8 SEC REVERB~SWEPT REVERB~Long, SWEPT REVERB. Indoor stadium-like.~D/SX, D/SE, H3500 155~ANALOG DELAYS 2~PATCH FACTORY~Warm, filtered delays. Newer version of program 535 in SE. Delay 1 is longer and swept.~D/SX, D/SE, H3500 156~BACK TAPPING~ULTRA-TAP~Reversed-sounding delays with feedback.~D/SX, D/SE, H3500 157~BassChor DDL~MULTI-SHIFT~Nice doubling for the bass. Stereo image.~D/SX, D/SE, H3500 158~BIG 5TH HARMONY~MULTI-SHIFT~A 4th above and a 5th below.~D/SX, D/SE, H3500 159~THE BIG CHEEZ 2~MULTI-SHIFT~An octave Harmonizerr thing with 'roomy,' ambient delays added.~D/SX, D/SE, H3500 160~BLACK JACK~LAYERED SHIFT~Manually triggered sweep. Up then down.~D/SX, D/SE, H3500 161~CHORUS SLAP~SWEPT COMBS~Nice, swept thickener, sounds lush on everything.~D/SX, D/SE, H3500 162~COOL PRES~MOD FACTORY~Complex but warm delays. Dynamically affected by input.~D/SX, D/SE, H3500 163~CRYSTAL ECHO 2~REVERSE SHIFT~An H3000 original, slightly modified. A shimmering, hypnotic ambience. Derivative of H3000-SE preset 642.~D/SX, D/SE, H3500 164~DELAY & HARM~MULTI-SHIFT~A fifth is added and then sent through a delay.~D/SX, D/SE, H3500 165~DETUNE + DELAY~MULTI-SHIFT~Gentle detuning with a long delay.~D/SX, D/SE, H3500 166~DIFFUSED SLAP~ULTRA-TAP~Diffused delay with mix control.~D/SX, D/SE, H3500 167~DOLPHIN TALK~REVERSE SHIFT~How many times have you wanted that mating call sound of these aquatic mammals? Well, here it is.~D/SX, D/SE, H3500 168~DREAM FANTASY3~LAYERED SHIFT~Whole-tone extravaganza. 'Beam up' with a swelled harmonic on your guitar.~D/SX, D/SE, H3500 169~DUAL GTR DELAYS~DUAL DIGIPLEX~Two long delays, for really beeg guitar sound.~D/SX, D/SE, H3500 170~FATASSCAN-B~LAYERED SHIFT~Another thickenizer. Has soft knobs for easy control.~D/SX, D/SE, H3500 171~FLESH 4 FANTASY~SWEPT COMBS~Flangy, sweepy, doubly thing.~D/SX, D/SE, H3500 172~FLOAT!~ULTRA-TAP~Long, thick, swingin' delays.~D/SX, D/SE, H3500 173~FLOAT FLANGE~SWEPT REVERB~Strong, satisfying flange using negative feedback.~D/SX, D/SE, H3500 174~FRIZZLE FRY~ULTRA-TAP~Strong initial echoes, followed by diffuse, fed back echoes.~D/SX, D/SE, H3500 175~G MAJ MOD WHEEL~DIATONIC SHIFT~Turning the Mod Wheel on will turn mix up to 40% and bring in a third and fifth above your note. For live shows, those of you with MIDI pedals can control harmonies.~D/SX, D/SE, H3500 176~GTR OFF STAGE L~MOD FACTORY~If you use a stereo stage setup, send Left output to left cabinet and Right to right. A person standing in the middle will hear the guitar off to the left of the stage, when the balance is set properly. Experiment with settings and position of cabinets.~D/SX, D/SE, H3500 177~GTR OFF STAGE R~MOD FACTORY~Compliment of GTR OFF STAGE L.~D/SX, D/SE, H3500 178~GUITAR ROOM~REVERB FACTORY~Nice and tight kind of room. Nice guitar space.~D/SX, D/SE, H3500 179~HEAVEN I KNOW 9~REVERSE SHIFT~Squirrely, backwards shift effect.~D/SX, D/SE, H3500 180~HEAVENLY PAD DM~REVERSE SHIFT~Just like it says. High, reversed echoes.~D/SX, D/SE, H3500 181~HUNTER DELAY~REVERB FACTORY~Unusual, quickly repeating delays, becoming diffused as they decay.~D/SX, D/SE, H3500 182~JERRY RACE CAR~MULTI-SHIFT~A small, roomy-type ambience with detuning.~D/SX, D/SE, H3500 183~JIMI JAMES~REVERSE SHIFT~Basic reverse delays - like playing backwards in one-second snippets .~D/SX, D/SE, H3500 184~LUSH LIFE~SWEPT COMBS~Six wildly swept, tight delays with feedback. What a life.~D/SX, D/SE, H3500 185~MAJ3RD-MIN3RD+~MULTI-SHIFT~Lots of fun to solo with. A major chord is formed. One key fits all.~D/SX, D/SE, H3500 186~MIGHTY DUCK~MOD FACTORY ~A delay that swells up when signal is removed. It 'ducks ' out of the way of a solo.~D/SX, D/SE, H3500 187~MOD WHEEL CLIMB~LAYERED SHIFT~Will pitch shift up an octave with a Mod Wheel (through MIDI).~D/SX, D/SE, H3500 188~MOD WHEEL DIVE~LAYERED SHIFT~Compliment of Mod Wheel Climb. This one will dive an octave with a Mod Wheel controller through MIDI.~D/SX, D/SE, H3500 189~MULTI SLAP~SWEPT COMBS~Six swept delays that sound a little like a gated room.~D/SX, D/SE, H3500 190~SHOULDER PHONE~MOD FACTORY~Put the phone to your shoulder, this is what it sounds like.~D/SX, D/SE, H3500 191~RAYGUN~LAYERED SHIFT~Sounds like a PHASER. Set on STUN.~D/SX, D/SE, H3500 192~ResoVibroEee~SWEPT COMBS~Sharp, resonant reverb around low E.~D/SX, D/SE, H3500 193~ROOM OF DOOM~REVERB FACTORY~Warm, medium reverb. Groovy name.~D/SX, D/SE, H3500 194~RHYTHM & REVERB~MULTI-SHIFT~Nice ambience, built of short delays.~D/SX, D/SE, H3500 195~SEAS OF CHEESE~LONG DIGIPLEX~Long, long delay .~D/SX, D/SE, H3500 196~SLUDGWIK~SWEPT COMBS~Another nice, Eventide, fat chorus.~D/SX, D/SE, H3500 197~SON OF KAMIKAZE~MOD FACTORY~Delays that dive after a phrase stops and input drops below threshold. Scary.~D/SX, D/SE, H3500 198~STEREO W FLANGER~SWEPT COMBS~Variation on the flange theme.~D/SX, D/SE, H3500 199~SWEPT FLANGE 2~SWEPT REVERB~Flange theme with a variation.~D/SX, D/SE, H3500 200~ALIENS~REVERSE SHIFT~Transforms voice into a rough, alien-like sound.~D/SX, D/SE, H3500 201~AMBIENCE~ULTRA-TAP~Use this to add ambience without muddying the mix.~D/SX, D/SE, H3500 202~A MINOR CHORDS~DIATONIC SHIFT~Play or sing a solo line in A minor. The H3000 will generate two perfect 'in-key' harmonies.~D/SX, D/SE, H3500 203~ANTI-AMBIENCE~REVERSE SHIFT~This is a reverb-like sound created from REVERSE SHIFT. Sounds great on guitar. Mr. Cooder's favorite.~D/SX, D/SE, H3500 204~AVANT-GARDE~REVERSE SHIFT~A REVERSE SHIFT effect that generates descending, chromatic lines.~D/SX, D/SE, H3500 205~BASS SHIFT~LAYERED SHIFT~A doubling effect intended for bass guitar. One channel is shifted up an octave. The other is slightly detuned.~D/SX, D/SE, H3500 206~BIG SNARE~REVERB FACTORY~Thickens up weak, drum sounds. Try increasing gate time to get a more 'gated' effect.~D/SX, D/SE, H3500 207~BIG SWEEP~SWEPT REVERB~To really hear the sweep, turn up the master feedback, make some noise, and then change the master delay.~D/SX, D/SE, H3500 208~BIZARRMONIZER~LAYERED SHIFT~Generates a bizarre, upward sweeping pitch shift.~D/SX, D/SE, H3500 209~BRIGHT ROOM~REVERB FACTORY~A short, bright reverb.~D/SX, D/SE, H3500 210~CANNONS~REVERSE SHIFT~A unique, sweeping sound that's great on drums. Try playing a tom solo through this.~D/SX, D/SE, H3500 211~CANYON~REVERB FACTORY~Our biggest reverb sound, like an echoing canyon.~D/SX, D/SE, H3500 212~CIRCLES~ULTRA-TAP~A stereo-delay effect that seems to circle around your head. The effect is most noticeable on short sounds, like handclaps.~D/SX, D/SE, H3500 213~DARK ROOM~REVERB FACTORY~A very mellow, room sound.~D/SX, D/SE, H3500 214~DEATH FLANGE~SWEPT REVERB~A deep, intense flange that's great for thickening up a synthesized bass line.~D/SX, D/SE, H3500 215~DISCRETE-VERB~SWEPT COMBS~A sparse, reverb effect.~D/SX, D/SE, H3500 216~DRUM PROCESSOR~SWEPT REVERB~This very different effect tends to make things that aren't drums sound like drums. Try adjusting the first four parameters for a variety of effects.~D/SX, D/SE, H3500 217~DUAL H910s~DUAL SHIFT~This program is designed to function like two Eventide H910 Harmonizer effects processors. The glitching you hear is intentional. This is a true dual program, where both left and right channels are processed separately.~D/SX, D/SE, H3500 218~DUEL EFFECT~DUAL SHIFT~The left input is processed with a detuned slap delay, while the right channel is processed with a downward pitch sweep.~D/SX, D/SE, H3500 219~EXPLODING 'VERB~REVERB FACTORY~This sounds like a reverb, until the input level goes above the gate threshold. Once triggered, the reverb sound grows explosively.~D/SX, D/SE, H3500 220~FAT SLAP~ULTRA-TAP~A slap delay with an ambient sound.~D/SX, D/SE, H3500 221~FLANGE & REVERB~SWEPT COMBS~This is a reverb with a subtle, flanging effect.~D/SX, D/SE, H3500 222~FLANGER~SWEPT COMBS~This is a basic stereo flanger. For the best effect, mix the H3000 output with the dry signal.~D/SX, D/SE, H3500 223~GATED REVERB~REVERB FACTORY~That very familiar drum effect. To change the length of the 'gate' sound, set the gate length parameter.~D/SX, D/SE, H3500 224~GENERIC HALL~ULTRA-TAP~A 'cheap,' reverb effect.~D/SX, D/SE, H3500 225~GLITCH SHIFT~DUAL SHIFT~A 'cheap' pitch shifter. If glitches are what you want, here they are.~D/SX, D/SE, H3500 226~H949~LAYERED SHIFT~This gives you what the H949 gave you. One output is a straight delay, while the other is pitch shifted. Both outputs are fed back to the input.~D/SX, D/SE, H3500 227~HUMP-VERB~ULTRA-TAP~A very unique reverb with a sound not unlike the name.~D/SX, D/SE, H3500 228~JUST 3RD & 5TH~DIATONIC SHIFT~A 'diatonic' pitch shifter that will generate just intoned 3rds and 5ths above the input. Make sure to set the key properly.~D/SX, D/SE, H3500 229~JUST 4TH & 6TH~DIATONIC SHIFT~This generates just intoned 4ths and 6ths above the input.~D/SX, D/SE, H3500 230~LOCKER ROOM~REVERB FACTORY~A small, resonant reverb.~D/SX, D/SE, H3500 231~MICROPITCHSHIFT~LAYERED SHIFT~This is the perfect effect to fatten up or widen a sound without adding any color.~D/SX, D/SE, H3500 232~MICROPITCH-SLAP~LAYERED SHIFT~The left channel is micro-shifted and the right is a slap delay with micro-shift. Great for guitar.~D/SX, D/SE, H3500 233~MIDI 3 ON 2~DUAL DIGIPLEX~This preset will sync up its delay times to a MIDI drum machine or sequencer. The delays are in the familiar 3 on 2 pattern.~D/SX, D/SE, H3500 234~MIDI PEDALSWEEP~SWEPT REVERB~The MIDI foot pedal controller will manually sweep the delays in this program to generate a flange-like sound. The Modulation Wheel controls modulation of the delays.~D/SX, D/SE, H3500 235~MIDIPLEX~LONG DIGIPLEX~Connect a MIDI drum machine or sequencer to this program and the delay will automatically be in time.~D/SX, D/SE, H3500 236~MODWHEEL REVERB~SWEPT REVERB~When connected to a MIDI keyboard, the Mod Wheel controls the decay time and the Pitch Wheel controls the delay (room size). Use this to easily generate dramatic reverb sweeps.~D/SX, D/SE, H3500 237~MULTI-FLANGE~SWEPT COMBS~With six delays being swept at once, this program creates a very thick, flange sound.~D/SX, D/SE, H3500 238~MUSIC SHIFT~STEREO SHIFT~This stereo, pitch shift program is optimized for shifting input program material.~D/SX, D/SE, H3500 239~PITCH QUANTIZE~DIATONIC SHIFT~This program quantizes the input to the nearest chromatic interval.~D/SX, D/SE, H3500 240~RANDOM GATE~ULTRA-TAP~Great for drums. A 'gated reverb' sound created with the ULTRA-TAP program.~D/SX, D/SE, H3500 241~REVERSE GATE~ULTRA-TAP~Another standard, drum reverb.~D/SX, D/SE, H3500 242~RICH CHORUS~SWEPT COMBS~This program uses six delay lines to create a useful chorus effect. Try increasing 'm delay' to get a subtler but more realistic effect.~D/SX, D/SE, H3500 243~RICH PLATE~SWEPT REVERB~A slight sweep in this reverb gives it a rich sound and a smooth tail.~D/SX, D/SE, H3500 244~ROCK 'N' ROLL~LAYERED SHIFT~This one's a bit different. Capture an audio loop by pressing the 'sustain' parameter. Play a note on a MIDI keyboard to hear the loop. Moving the Mod Wheel will alter the loop points (a bit like rocking tape reels). Playing different notes will change the pitch of the loop.~D/SX, D/SE, H3500 245~SCARY MOVIE~REVERSE SHIFT~This program uses REVERSE SHIFT to create an evil-sounding voice. Use with guitar to create that tape splice, psychedelic sound.~D/SX, D/SE, H3500 246~SHIMMERISH~SWEPT REVERB~A recirculating delay effect that fades into a smooth reverb.~D/SX, D/SE, H3500 247~SLAP/MICROPITCH~DUAL SHIFT~The left channel is processed with a slap delay. The right channel is processed with a micro-shift.~D/SX, D/SE, H3500 248~SMALL ROOM~REVERB FACTORY~A small-room reverb.~D/SX, D/SE, H3500 249~SPACE FLANGE~SWEPT REVERB~This program is a cross between a digital delay, a reverb and a flanger.~D/SX, D/SE, H3500 250~SWEEP RIGHT~ULTRA-TAP~This ULTRA-TAP program sweeps the taps across the stereo field.~D/SX, D/SE, H3500 251~THICK LOOP~SWEPT REVERB~A repeating delay that fades into a reverb sound.~D/SX, D/SE, H3500 252~THIRD & FIFTH~DIATONIC SHIFT~Generates an 'in-key' third and fifth above the input.~D/SX, D/SE, H3500 253~THIRD & OCTAVE~DIATONIC SHIFT~This generates a diatonic third above and an octave below the input.~D/SX, D/SE, H3500 254~TONAL ROOM~SWEPT REVERB~With pitched inputs, this reverb will actually generate many other tones. On drums, this is one of the biggest sounds you can get.~D/SX, D/SE, H3500 255~TWELVE STRING~LAYERED SHIFT~Using a micro-pitch shift and an octave shift this generates a great twelve-string sound. Wonderful for guitar.~D/SX, D/SE, H3500 256~VOICE SHIFT~STEREO SHIFT~This STEREO SHIFT program is optimized for pitch shifting program material whose main content is spoken voice.~D/SX, D/SE, H3500 257~WARM HALL~REVERB FACTORY~Our basic, reverb sound.~D/SX, D/SE, H3500 259~SymphonicChorus~SWEPT COMBS~Rich, multi-voice chorus.~D/SX, D/SE, H3500 260~SYNTHISH ON YOU~DUAL SHIFT~Sci-fi, ring-modulating thickener with added pitches above and below.~D/SX, D/SE, H3500 261~THRAX-VERB~REVERB FACTORY~Nice, full, medium reverb.~D/SX, D/SE, H3500 262~TWIRLING ROOM~SWEPT REVERB~Twirling-room reverb.~D/SX, D/SE, H3500 263~UnderwaterDelay~PATCH FACTORY~Gurgling and bubbling, these delays are something new.~D/SX, D/SE, H3500 264~UNREAL 12 STRNG~PATCH FACTORY~Adds processed, 12-stringy thickness to guitars.~D/SX, D/SE, H3500 265~USEFUL VERB~REVERB FACTORY~Bright and generic, medium-large verb. Quite roomy.~D/SX, D/SE, H3500 266~MODULATOR-VERB~MULTI-SHIFT~Unique ring-modulaty, yet reverb-like effect.~D/SX, D/SE, H3500 267~OCTAVE ECHOES~MULTI-SHIFT~Nice, subtle doubling with octave thrown into a delay.~D/SX, D/SE, H3500 268~PanPitchDlyVerb~MULTI-SHIFT~Shifted ambience, with a fourth above and a fifth below.~D/SX, D/SE, H3500 269~PanOctavDlyVerb~MULTI-SHIFT~Gently sweeping ambience with octave harmonic.~D/SX, D/SE, H3500 270~SkilScale~DIATONIC SHIFT~An example of a user-scale mapping one input note to a wild set of nonlinear, output notes.~D/SX, D/SE, H3500 271~3 OCTAVES UP~MULTI-SHIFT~Two Harmonizer effects processors, both set to 3 octaves up. Great on top four guitar strings.~D/SX, D/SE, H3500 272~LO & BEHOLD~REVERSE SHIFT~Octaves up and down, reversed ,then re-reversed.~D/SX, D/SE, H3500 273~ABOUT YOU VIBD~MOD FACTORY ~Smooth vibrato with panning.~D/SX, D/SE, H3500 274~CHORWASHdual~MOD FACTORY ~Long delays with thickener that cut their feedback with next input signal, cleaning up the wash of delays.~D/SX, D/SE, H3500 275~MY BLOODY VAL~REVERSE SHIFT~Evil, reversed and down shifted delays. Perfect for that scary, solo sound.~D/SX, D/SE, H3500 276~DRY CHORUS~MULTI-SHIFT~Subtle, chorus sound, tweaked for guitar.~D/SX, D/SE, H3500 277~MILD CHORSDELAY~MULTI-SHIFT~Self descriptive.~D/SX, D/SE, H3500 278~FLUTTEROUS ROOM~STEREO SHIFT~Warbly, bathroom-like ambience. Thickens with micro-shifting quite a bit.~D/SX, D/SE, H3500 279~WATERY CHORUS~LAYERED SHIFT~Name says it all.~D/SX, D/SE, H3500 280~DRUNK ROOM~REVERSE SHIFT~Unusual small-room ambience, built from reversed and slightly shifted delays.~D/SX, D/SE, H3500 281~HARMONY ROOM 2~LAYERED SHIFT~Cool, fifthy ambience.~D/SX, D/SE, H3500 282~MARKS MED DARK~REVERB FACTORY~This is a medium-small, dark room.~D/SX, D/SE, H3500 283~LG GUITAR ROOM~REVERB FACTORY~A large room, suitable for guitar.~D/SX, D/SE, H3500 284~LONG LEAD PING~MOD FACTORY~Ducking, ping-pong delay that goes from side to side.~D/SX, D/SE, H3500 286~PANDELAY250/125~LAYERED SHIFT~Tight left and right delays with mix control for easy, live performance adjustment.~D/SX, D/SE, H3500 287~GIANT 3D DELAYS~ULTRA-TAP~Wide complex delays. Use delay to shorten.~D/SE, H3500 288~3D DELAY LEFT~MOD FACTORY~Delay with off-the-speaker left image.~D/SE, H3500 289~GHOST 3D DELAY~ULTRA-TAP~Spinning delays, randomly moving in space.~D/SE, H3500 290~INSIDE OUT 3D~ULTRA-TAP~Delays moving ever outward from center.~D/SE, H3500 291~3D DUCKY DELAYS~MOD FACTORY~Cave-like delays way off the left speaker.~D/SE, H3500 292~3D DUAL DUCK DLY~MOD FACTORY~Another Eventide first - 3D Ducking taps.~D/SE, H3500 293~3D HAAS PAN~MOD FACTORY~A manual-close delay manipulation w/ pan.~D/SE, H3500 294~FAR LEFT~MOD FACTORY~Dry processing to pan input off left speaker.~D/SE, H3500 295~FAR RIGHT~MOD FACTORY~Ditto.~D/SE, H3500 296~PRISTINE CLEAN$~STRING MODELER~Unusual chorus effect with wide 3D image.~D/SE, H3500 297~SHIFT FAR LEFT~PATCH FACTORY~3D micro-shifter on far left.~D/SE, H3500 298~SHIFT FAR RIGHT~PATCH FACTORY~3D micro-shifter on far right.~D/SE, H3500 300~AIRPORT PAGE~PATCH FACTORY~This program simulates a large paging system: (size) sets room size, (echo lvl) sets the amount of echo mixed into effect, (pitch) controls overall pitch effect, (mix) wet/dry effect mix.~B+, B/LT 301~ALVIN~LAYERED SHIFT~An easy way to get that familiar chipmunk sound: (munkness) controls chipmunk pitch.~B+, B/LT 302~AUTO-MAX~STUTTER~Automatically generates st-st-STUTTERs and sweeps: (rate) controls how often STUTTERs or sweeps occur.~B+, B/LT 303~AUTOPANNER~SWEPT COMBS~Produces automatic stereo: (left<->right) is panning, (delay) controls delay of panned signal, (feedback) increase for repeated panning echoes, (pan rate) sets speed of panning.~B+, B/LT 304~AVANT-GARDE~REVERSE SHIFT~Produces a unique, reverse pitch shifted effect: (pitch) controls amount of pitch shift, (length) controls reverse splice length, (mix) wet/dry effect mix.~B+, B/LT 305~BACKWARDS~REVERSE SHIFT~Turns the input around in one-second chunks: (length) controls length of reversed segments, (feedback) feeds back reversed output, (pitch) sets pitch of reversed signal, (mix) wet/dry effect mix.~B+, B/LT 306~BRIGHT ROOM~REVERB FACTORY~A short, bright reverb: (size) controls room size, (distance) controls reverb predelay, (mix) wet/dry effect mix.~B+, B/LT 307~CANNONS~REVERSE SHIFT~Great on drums.~B+, B/LT 308~CANYON~REVERB FACTORY~Our biggest reverb sound, like an echoing canyon: (size) controls decay time of reverb; (predelay) sets predelay, in milliseconds; (mix) wet/dry effect mix.~B+, B/LT 309~CAVE ECHO~DUAL DIGIPLEX~A cave-like, long echo: (size) controls length of echo, (liveness) controls feedback on echo, (mix) wet/dry effect mix.~B+, B/LT 310~CB~PATCH FACTORY~Simulates CB radio sound, with two different voices and mike keying noise: (mike) triggers mike noise and changes pitch of speaker.~B+, B/LT 311~CHORUS~SWEPT COMBS~This program produces a swishy, chorus effect: (depth) sets depth of delay sweep, (rate) sets rate of delay sweep, (feedback) increase to get a more resonant sound, (mix) wet/dry effect mix.~B+, B/LT 312~CIRCLES~ULTRA-TAP~Try clapping into it. Many delays are panned to get a circular sweep.~B+, B/LT 313~CUZZIN IT~REVERSE SHIFT~Talk into this one. It might not be intelligible but it will be funny: (depth) increase to make voice lower in pitch, (speed) makes output 'splice' faster.~B+, B/LT 314~CYLONS~SWEPT COMBS~Creates a monotone, resonant voice sound: (resonate) makes resonance more intense, (tone) changes the pitch of the resonance.~B+, B/LT 315~DRAGWAY AD~PATCH FACTORY~Use this to create those clich'd racecourse ads: (pitch) controls pitch of voice, (delay) controls amount of delay in echo, (echo) controls amount of echo in output mix, (feedback) controls amount of feedback.~B+, B/LT 316~FADE TO DREAM~LAYERED SHIFT~This effect produces a fade to a dream-like sound: (fade) triggers the fade, pressing again will fade back to dry; (faderate) increase to make the fade faster; (mix) wet/dry effect mix.~B+, B/LT 317~FLANGER~SWEPT COMBS~Increase delay to produce flanging effect: (depth) depth of delay sweep, (rate) rate of delay sweep, (feedback) increase for resonant effect, (mix) wet/dry effect mix.~B+, B/LT 318~FLYING SAUCERS~PATCH FACTORY~Adds downward, sweeping pitch to input signal: (length) controls decay time of effect, (mix) wet/dry effect mix.~B+, B/LT 319~GREGORIAN CHANT~PATCH FACTORY~This program filters and pitch shifts input voices to produce a chorus of droning monks.~B+, B/LT 320~GREMLINS~LAYERED SHIFT~This program randomly varies pitches and delays to produce interesting, unintelligible voices: (speed) controls how fast delay and pitch are changed, (amount) decrease to get less delay and pitch change.~B+, B/LT 321~HELLVERB~PATCH FACTORY~An eerie, reverb-like sound. Play with the controls!: (tone) makes reverb darker or brighter, (delay) sets amount of delay in feedback loop, (feedback) controls reverb decay, (pitch) controls pitch sweep.~B+, B/LT 322~JAVA THE HUN~LAYERED SHIFT~This sounds like the insidious voice of a famous movie character: (deepness) will lower the pitch of the voice.~B+, B/LT 323~LOCKER ROOM~REVERB FACTORY~This reverb program sounds like a concrete room: (size) controls the reverb decay time, (predelay) use this to add distance to the reverb, (mix) wet/dry effect mix.~B+, B/LT 324~LOWPASS FILTERS~PATCH FACTORY~Two lowpass filters connected in series process the audio. Use cutoff 1 and 2 to control the rolloff frequencies. Use Q factor 1 and 2 to control the resonance of the filters.~B+, B/LT 325~MAGIC~LAYERED SHIFT~Whistle into the mic.~B+, B/LT 326~MANY PITCHES~SWEPT COMBS~Use this effect to produce a cacophony of different pitched voices: (freq) lowering this slows the pitch modulation, (amount) this will increase the pitch variation, (mix) wet/dry effect mix.~B+, B/LT 327~MARTIANS~LAYERED SHIFT~The planet is surrounded! Surrender, earthlings!: (pitch) makes the voice higher in pitch.~B+, B/LT 328~MEGAPHONE~PATCH FACTORY~This produces the effect of speaking through a megaphone: (echo) increasing this mixes in an echo, (distance) controls the delay time of the echo, (macho) turning this up lowers the voice pitch, (mix) wet/dry effect mix.~B+, B/LT 329~MORE ALIENS~REVERSE SHIFT~This produces a rough, monotone, alien voice: (pitch) sets the pitch of the voice, (splice) controls the 'splice' rate, (mix) wet/dry effect mix.~B+, B/LT 330~NEW HOUSE~SWEPT COMBS~Use this to get that metallic sound of an empty, reflective room: (size) use this to make the room bigger or smaller; (liveness) to make the room deader, lower this.~B+, B/LT 331~OKSY ELEVEN~TIMESQUEEZE~Get that deep, smooth, announcer voice with this: (deepness) adjusts the voice pitch.~B+, B/LT 332~PLANET ZORGON~REVERSE SHIFT~Use this to get an unintelligibly deep, space voice: (pitch) controls the voice pitch, (speed) controls 'splice' rate.~B+, B/LT 333~PSYCHO-PANNER~SWEPT COMBS~This program swirls the input in pitch, pan and delay: Wild! (range) controls the range of delay and pitch sweep, (feedback) lower this to reduce the decay time, (pan rate) controls the panning and sweep speed, (mix) wet/dry effect mix.~B+, B/LT 334~RANDOM SHIFT~LAYERED SHIFT~This program changes the pitch randomly, great for spreading sounds in stereo: (depth) controls the amount of random pitch shift, (rate) controls speed of pitch modulation, (mix) wet/dry effect mix.~B+, B/LT 335~SHAKY~LAYERED SHIFT~If you were standing on a paint shaker, your voice might sound like this: (amount) use this to increase the pitch modulation, (rate) controls the rate of pitch modulation. On Golden Pond, to boot!~B+, B/LT 336~SHIMMERISH~SWEPT REVERB~This reverb starts out discrete and ends with a smooth tail: (length) controls the delay lengths, (decay) controls reverb decay time, (warble) use this to add a sweep to the reverb, (mix) wet/dry effect mix.~B+, B/LT 337~SIMPLE DELAY~LONG DIGIPLEX~Here is a basic delay, with control over delay, feedback, mix and a repeat control.~B+, B/LT 338~SISSY~LAYERED SHIFT~This program turns a he-man into a 90-pound wimp: (% sissy) controls the voice pitch.~B+, B/LT 339~SMALL ROOM~REVERB FACTORY~This is a small-room reverb: (size) controls reverb decay time, (mix) wet/dry effect mix.~B+, B/LT 340~SPACE FLANGE~SWEPT REVERB~Use this to get a thick-loop delay with a flange: (delay) controls loop delay time, (depth) controls depth of delay sweep, (rate) controls delay sweep rate, (feedback) use this to control loop feedback.~B+, B/LT 341~STADIUM~PATCH FACTORY~This program simulates the low-fidelity PA system of a sports arena: (pitch) changes the pitch of the announcer's voice, (size) increase or decrease arena size, (echo 1) controls level of first echo, (echo 2) controls level of second echo.~B+, B/LT 342~STEAM BATH~PATCH FACTORY~This recreates the sound of a steam bath, including the steam: (size) adjusts the steam bath size, (echo) controls the level of the echo, (steam) controls the level of the steam hiss, (mix) wet/dry effect mix.~B+, B/LT 343~ST PETERS CATH~REVERB FACTORY~This is a large, reverb sound, like a cathedral: (size) controls reverb decay time, (pew) controls apparent distance from front of room.~B+, B/LT 344~STUTTER~STUTTER~Use this for that popular STUTTER sound: (stut) will trigger the STUTTER, (speed) controls the speed of the STUTTER, (count) controls how many STUTTERs occur, (pitch) controls the pitch of the voice.~B+, B/LT 345~STUTTER DOWN~STUTTER~This works just like the 'STUTTER' program, but the pitch will sweep down with the STUTTER effect.~B+, B/LT 346~STUTTER DUAL~STUTTER~This program allows two different STUTTER speeds to be set up and triggered: (STUTTER1) triggers a STUTTER using 'speed 1'; (speed 1) controls the speed of STUTTER 1, ditto for STUTTER 2.~B+, B/LT 347~STUTTERRANDOM~STUTTER~This program generates various random STUTTERs: (stut) triggers a random STUTTER; (up) triggers a STUTTER with pitch sweep up; (down) triggers a STUTTER with pitch sweep down; (updown) STUTTER and sweep up left, down right.~B+, B/LT 348~STUTTER UP~STUTTER~This program works like the 'STUTTER' program, except the pitch will sweep up with the STUTTER.~B+, B/LT 349~STUTTER UP/DOWN~STUTTER~This also works like the 'STUTTER Dual' program, but with one side sweeping up and the other down.~B+, B/LT 350~SWEEP RIGHT~ULTRA-TAP~Using multiple delays, this sweeps to the right: (delay) controls length of sweep, (feedback) use this to echo the sweep, (mix) wet/dry effect.~B+, B/LT 351~SWEET FLANGE~LAYERED SHIFT~Use this program for a smooth, subtle flange sound: (amount) controls depth of delay sweep, (freq) controls sweep rate, (feedback) use this to add resonance, (mix) wet/dry effect mix.~B+, B/LT 352~TELEPHONE~PATCH FACTORY~This imitates the sound quality of a telephone: (distance) simulates long distance by adding echoes, (noise) adds noise to voice for realism, (pitch) changes pitch of voice.~B+, B/LT 353~THREE OF ME~DUAL SHIFT~This program randomizes the input delay to simulate three voices: (detune) controls the amount of pitch shift, (sweep) adjusts the amount of delay modulation, (feedback) controls the amount of feedback, (mix) wet/dry effect mix.~B+, B/LT 354~THREE ON TWO~DUAL DIGIPLEX~The delays in this program are set such that the familiar three against two rhythm is produced: (feedback) controls the amount of feedback, (mix) wet/dry effect mix.~B+, B/LT 355~TIME WARP~DUAL SHIFT~Speeds up and slows down whatever goes in. Try counting to ten while listening to the output: (speed) controls rate of time warp, (amount) controls amount of delay variation, (pitch) controls pitch of output, (feedback) use this to generate warped echoes.~B+, B/LT 356~TONAL ROOM~SWEPT REVERB~This program is a unique, pitched reverb. This is great for percussive sounds. ~B+, B/LT 357~TRAFFIC REPORT~PATCH FACTORY~This sounds like a person sitting in a traffic helicopter. Also generates the CB voice sound: (speed) controls the chopper rotor speed, (nearness) controls the voice/chopper noise.~B+, B/LT 358~TV IN NEXT ROOM~PATCH FACTORY~Using filtering and delays, this program simulates that TV or radio in the next room: (tinniness) increase this to make the sound tinnier, (muffle) increase this to make the sound muffled, (delay 1) controls the length of the first echo.~B+, B/LT 359~UNDERWATER~PATCH FACTORY~This is a pretty good simulation of dunking your head under water and speaking: (depth) controls the intensity of the effect, (speed) increase this to get more.~B+, B/LT 360~WAH WAH~PATCH FACTORY~This sounds like an automatic wah-wah pedal: (amount) controls the depth of the sweep, (speed) controls the wah-wah rate.~B+, B/LT 361~WARM HALL~REVERB FACTORY~This is a nice, medium-length reverb program: (size) controls the reverb decay time, (predelay) simulates distance from the source, (mix) wet/dry effect mix.~B+, B/LT 362~WARPED 45~STEREO SHIFT~This can ruin even the best records: (warpness) controls the amount of pitch variation.~B+, B/LT 363~WARPED LP~STEREO SHIFT~This is the same as Warped 45, but slower.~B+, B/LT 366~1/2SEC GATORVRB~REVERB FACTORY~1/2-second delayed, 1/2-second gated verb.~D/SE, H3500 367~ACIDREIGN~REVERSE SHIFT~Detuned reversed slices.~D/SE, H3500 368~ACCURATE ROOM~DENSE ROOM~Nuff said.~D/SE, H3500 369~AMBIENT BOOTH~DENSE ROOM~Small, bathroom-sized booth reverb.~D/SE, H3500 370~ATLANTIS~REVERSE SHIFT~Backwards, swelling delays.~D/SX, D/SE, H3500 371~BASS SPACE~DENSE ROOM~Bathroom with lots of rugs and towels.~D/SE, H3500 372~BriteBrassPlate~REVERB FACTORY~Twangy plate, good on dark brass.~D/SE, H3500 373~DAVES SPIN~MOD FACTORY~An improved spinning-speaker-cabinet simulator.~D/SX, D/SE, H3500 374~CABO BOING~SWEPT COMBS~Gurgling-sounding chorus.~D/SE, H3500 375~CHORUS SLOW~SWEPT COMBS~Subtle, chorus effect.~D/SE, H3500 376~CLOSENCOUNTERS~STRING MODELER~Mystic bell resonance. Try on anything.~D/SE, H3500 377~CLOSE MIKED~REVERB FACTORY~Small, tiled bathroom.~D/SE, H3500 378~COMB SPACE 1~REVERB FACTORY~Resonant, small space.~D/SE, H3500 379~COMPRESSED AIR~DENSE ROOM~Compressed, close-miked sound.~D/SE, H3500 380~CRYSTALESQUE~MULTI-SHIFT~Micropitch thickener with some tight, bathroomy delays.~D/SX, D/SE, H3500 381~DOUBLE SPACE~DENSE ROOM~Small, slap-room delay.~D/SE, H3500 382~DENSE HALL 2~DENSE ROOM~Large, dense hall.~D/SE, H3500 383~DELAY W/ ROOM~DENSE ROOM~Half-second delayed room.~D/SE, H3500 384~VERBY CHORUS~SWEPT REVERB~Great reverb and chorus combo.~D/SX, D/SE, H3500 385~DRAGON BREATH~SWEPT REVERB~Tight, ambient delays. Try on guitar.~D/SX, D/SE, H3500 86~DrewzNooRoom~DENSE ROOM~Small, cozy reverb.~D/SE, H3500 387~DRUM AMBIENCE~DENSE ROOM~Small, tight room.~D/SE, H3500 388~FLASHBACK~STUTTER~Psychotic ,sweeping delay.~D/SE, H3500 389~SORE THROAT~SWEPT COMBS~Gargling-sounding ambience.~D/SE, H3500 390~GATED FENCE~REVERB FACTORY~Nice, gated verb for drums.~D/SE, H3500 391~GATED ROOM 2~REVERB FACTORY~Twangy, gated room.~D/SE, H3500 392~GENERIC HALL~ULTRA-TAP~High School Gym sound.~D/SE, H3500 393~GREAT DRUMSPACE~REVERB FACTORY~Another small, rehearsel room.~D/SE, H3500 394~5SEC HANG VERB~REVERB FACTORY~Gated verb with 5-second hang time.~D/SE, H3500 395~HUGE DENSE HALL~DENSE ROOM~Dense, arena-like verb.~D/SE, H3500 396~HUGE SYNTHSPACE~DENSE ROOM~Self-descriptive.~D/SE, H3500 397~ACID REIGN~REVERSE SHIFT~Reversed delays. Very psychedelic.~D/SX, D/SE, H3500 398~KALEIDOSCOPEYES~SWEPT REVERB~Flangy, swirling delays.~D/SE, H3500 399~FAN WHIPPER~MULTI-SHIFT~Sounds like sound through slow fan.~D/SX, D/SE, H3500 400~A 440~PATCH FACTORY~This program generates a 440 Hertz sine wave output: (level) controls the sine wave output level, (freq) use this to adjust the output frequency.~B+, B/LT 401~ALERT~PATCH FACTORY~This program produces a harsh alarm sound: (rate) controls the alarm sweep rate, (tone) controls the tone of the sound.~B+, B/LT 402~BOINGY BUZZ~PATCH FACTORY~A dramatic bass swell is produced when this program is triggered: (pluck) triggers the effect, (detune) use this to detune the left output pitch, (tone) makes the sound smoother or harsher, (tune) adjusts the overall tuning of the sound.~B+, B/LT 403~DOORBELL~PATCH FACTORY~This program generates a familiar doorbell sound when triggered: (ring) will ring the doorbell, (tone) adjusts the tone of the doorbell, (tune) controls the pitch of the doorbell.~B+, B/LT 404~JET~PATCH FACTORY~Look out! A 747 is passing through your control room!: (fly by) triggers the jet sound, (speed) controls the speed of the jet approach, (rumble) controls the amount of bass rumble, (whine) controls the amount of jet whine.~B+, B/LT 405~JETTISON~PATCH FACTORY~Similar to "Jet," this sound is reminiscent of rocket stages being jettisoned, or perhaps a spaceship blasting off: (jettison) will trigger the effect, (speed) controls the speed of the jettison sound, (whine) controls the amount of high-pitched whine.~B+, B/LT 406~LASER ECHO~PATCH FACTORY~Use this to destroy those enemy invaders. This one sounds like a sci-fi movie or a video game noise: (fire) triggers the laser blast, (sweep) adjusts the pitch sweep of the sound, (feedback) controls the decay of the sound, (tune) controls the basic pitch.~B+, B/LT 407~PLUCK~PATCH FACTORY~This effect is a convincing simulation of a string being plucked, in stereo: (pluck) press this to pluck the string, (detune) controls the pitch of the left output, (tone) increase for harsher string sound, (tune) controls the pitch of the string.~B+, B/LT 408~SIREN~PATCH FACTORY~If a siren is what you need, here's where to look: (rate) controls the rate of the siren sweep, (range) controls the range of the pitch sweep.~B+, B/LT 409~SONAR~PATCH FACTORY~This simulates the sound of a submarine's sonar echo: (ping) triggers the sonar sound.~B+, B/LT 410~STEREO COPTER~PATCH FACTORY~Use this if you need an easy helicopter sound: (speed) controls the helicopter rotor speed.~B+, B/LT 411~TANK ATTACK~PATCH FACTORY~This program sounds like an arcade tank game: (fire) will fire the tank when pressed, (rumble) controls the bass rumble of the explosion.~B+, B/LT 412~THUNDER~PATCH FACTORY~Try our thunderbolt: (bolt) triggers the thunder effect.~B+, B/LT 413~UFO~PATCH FACTORY~This is our version of a spaceship taking off and landing: (take off) will make the spaceship take off. Press again to make it land.~B+, B/LT 414~WAVE~PATCH FACTORY~This sounds like a single, ocean wave: (waveit) triggers the wave sound.~B+, B/LT 415~WIND STORM~PATCH FACTORY~Put your parka on before loading. Here is our howling Arctic wind: (gales) controls the intensity of the storm, (mix) allows a voice to be mixed over the wind.~B+, B/LT 416~BOB C'S PHASER~PHASER~PHASER tweaked by Mr. Clearmountain himself.~D/SE, H3500 417~DEEPENED CLAPS~ULTRA-TAP~Swelling, fat delay, good on percussives.~D/SE, H3500 418~SPACE FLANGE BC~SWEPT REVERB~Customized preset with flangy, panning delays.~D/SX, D/SE, H3500 419~STEREO W FLANGE~SWEPT COMBS~Widens your stereo image with flangy things.~D/SE, H3500 420~SWEPT PANNER~SWEPT COMBS~Has LFO tied to width. ~D/SE, H3500 421~TITE STEREO DLY~STEREO SHIFT~Real, tite-locked delays.~D/SE, H3500 422~TITE STEREO CUE~MULTI-SHIFT~Tight, unlocked delays.~D/SE, H3500 423~VOC DOUBLER BC~MULTI-SHIFT~A voice thickener with a moving pitch.~D/SE, H3500 425~2 MULTI EFFECTs~MULTI-SHIFT~Two independent shifters with panning, semi-equivalent to two H949s.~H3500 426~AMBIENT SLAP~ULTRA-TAP~Quick slap with an element of reverb.~H3500 427~BALLAD SNARE~DENSE ROOM~A good verb for slow tunes. Has a long predelay.~H3500 428~BOOGALOO~PATCH FACTORY~A jungle-sounding patch, try on toms.~H3500 429~CASTANET PSYCHO~BAND DELAY~Rhythmic, resonant delays.~H3500 430~CLACK~PATCH FACTORY~Adds a clacky noise.~H3500 431~CRACK O'SNARE~PATCH FACTORY~One of several presets good for snare processing.~H3500 432~DARK CELLAR~REVERB FACTORY~Good for growing mushrooms.~H3500 433~DAVE'S PLATE~SWEPT REVERB~Plate-type reverb w/ a little chorusing.~H3500 434~DITH VERB~REVERB FACTORY~Unusual, warm and thick verb.~H3500 435~DRUM WHEEZE~PATCH FACTORY~Funny wheeze for something a little different.~H3500 436~DRUNKIT~SWEPT REVERB~Too much tequila the night before.~H3500 437~DUAL FLAT FIXER~MULTI-SHIFT~Correct the 'out-of-tuneness' of two vocalists at the same time. The knob will control Ch 1's pitch, and a pitch bend wheel will control Ch 2's. A sequencer will store your pitch changes if you record them to it.~H3500 438~DUAL TOM SHIFT~DUAL SHIFT~'NUFF SAID!~H3500 439~DUCK VERB~REVERB FACTORY~Reverb will 'duck' slightly while a signal is present.~H3500 440~EMPTY WATER TANKS~REVERB FACTORY~Sounds like the inside of one of those water towers.~H3500 441~FALLING FLANGE~PATCH FACTORY~Use 'P DELAY' to change repeat interval.~H3500 442~FAT FLAM~LAYERED SHIFT~Tight delays to widen drum strokes.~H3500 443~FineYoung Snare~PATCH FACTORY~Pretty, poppy processing.~H3500 444~FIXT PITCH TOMS~DIATONIC SHIFT~Interesting tom thickener.~H3500 445~FUNKshunTAPS~ULTRA-TAP~Discrete, reverb-like delays sweeping right to left.~H3500 446~GATED KIK~REVERB FACTORY~This is a gated, bass drum reverb.~H3500 447~GATED SNARE~REVERB FACTORY~Guess what this is?~H3500 448~GRIF RANDOM~DUAL SHIFT~A great thickener reminiscent of H949 random.~H3500 449~H949 REV 3~PATCH FACTORY~Basic configuration and sound of H949.~H3500 450~HAT ROOM~SWEPT REVERB~Check your hi-hat in here.~H3500 451~HI HAT BREATH~SWEPT REVERB~Makes hat a little more ambient.~H3500 452~HI HAT DELAY~PATCH FACTORY~EQ'd delays for hat.~H3500 453~ITCHY COO TOM~SWEPT REVERB~Try it on toms. By the way, do you remember the song?~H3500 454~JOE'S GATE~REVERB FACTORY~A nice, gated reverb. Thanks Joe!~H3500 455~JUNGLE 7~BAND DELAY~Adds jungle rhythms in 7/8.~H3500 456~KERR VERB~REVERB FACTORY~Medium-dark, gated verb.~H3500 457~KIT FLANGER~SWEPT REVERB~Neato, overall kit flanger.~H3500 458~LEXY ROOM~REVERB FACTORY~Bright-sounding room with white tail.~H3500 459~LITE ROOM~REVERB FACTORY~Sounds great, less filling.~H3500 460~LONG ROOM~DENSE ROOM~Long Verb.~H3500 461~LO PROCESSOR~SWEPT REVERB~Adds low percussive ambience to anything.~H3500 462~MIDI GATE VERB~REVERB FACTORY~Use keyboard controller to change parameters. Sustain pedal is tied to gate and Mod Wheel is tied to decay.~H3500 463~MIDI SWEPT VERB~SWEPT REVERB~Size is tied to pitch wheel and the sweep is tied to modulation wheel.~H3500 464~OCTAVE DOWNERs~DIATONIC SHIFT~Both channels take the drums down an octave.~H3500 465~One And Ah 16th~ULTRA-TAP~Gives you great 16th note subdivisions ('one-and-ah' as Lawrence Welk used to say).~H3500 466~One Car Garage~REVERB FACTORY~Small, tight reverb like a one-car garage.~H3500 467~One Ee And Ah~ULTRA-TAP~One ee and ah sixteenth note subdivisions.~H3500 468~One Ee Ah 16ths~ULTRA-TAP~One Ee Ah (16ths).~H3500 469~PERC WAH WAH~PATCH FACTORY~And now, wah-wah for drums!~H3500 470~PHONERING DELAY~ULTRA-TAP~Delays timed to sound like an old, phone-ring effect.~H3500 471~ROOM 90x40x15~ULTRA-TAP~Simulates discrete style reverb of small room with mentioned 472~ROCK ROOM~DENSE REVERB~Power verb.~H3500 473~SEXTUPLETS A~ULTRA-TAP~Variation of above.~H3500 474~SEXTUPLETS~ULTRA-TAP~This is, well, sextuplet delays.~H3500 475~SEWER VERB~PATCH FACTORY~Foul , liquid-sounding reverb.~H3500 476~SHORT ROOM~REVERB FACTORY~A small reverb (four-car garage?).~H3500 477~SIMMONIZE~PATCH FACTORY~See (#476).~H3500 478~SMALL TILED RM~REVERB FACTORY~The sound of Ivana's bathroom.~H3500 479~SON OF BIGSNARE~DENSE ROOM~Remember Big Snare (#576)?~H3500 480~STEREO TOM DLAY~MULTI-SHIFT~Delays that will follow the panning of the inputs.~H3500 481~SWEEP 8~BAND DELAY~Pitched and timed delays.~H3500 482~THICK RICK~SWEPT REVERB~Thickening, sweeping ambience.~H3500 483~TILED HAT ROOM~REVERB FACTORY~This is a very large bathroom.~H3500 484~TImBrAl bRooM~PATCH FACTORY~Wah-wahing ambience.~H3500 485~TIMID VERB~SWEPT REVERB~Subtle reverb/flanger.~H3500 486~TINY WAREHOUSE~DENSE ROOM~This is the reverb of a small Hoboken, N.J. sock outlet factory.~H3500 487~TOMBALLS~REVERB FACTORY~Good on toms.~H3500 488~TOM SWEEP~BAND DELAY~Pitched delays for toms.~H3500 489~TRASHY DRUMS~SWEPT REVERB~Want a really gritty drum sound? Load this one.~H3500 490~TWINKIE SHIFT~MULTI-SHIFT~Adds adorable, higher octaves.~H3500 491~Two Warm Delays~PATCH FACTORY~These are so useful to add ambience without "swishing" around.~H3500 492~WARP 2~SWEPT REVERB~Kind of a seasick preset. Warps pitch of input.~H3500 493~WORD UP~LAYERED SHIFT~Noise effect for snare or percussion.~H3500 496~MOON TURN TIDES~MOD FACTORY~Long delay that falls in pitch and time signal is removed.~D/SX, D/SE, H3500 497~SMOOTH DELAYS~MOD FACTORY~Slow, attacking delays with a lil' ducking.~D/SE, H3500 498~GIGUNDO CHORUS~MOD FACTORY~Use on vocal chorus to enlarge and thicken.~D/SE, H3500 499~KAMIKAZE DELAYS~MOD FACTORY~New, distorted delays that dive with signal.~D/SX, D/SE, H3500 500~ADSR FILTER~PHASER~When the sound into the H3500 goes over a threshold, a sweeping, 'wah'-like, filter effect is triggered.~D/SE, H3500 501~ADSR PHASER~PHASER~Like above, the input audio level will trigger a sweeping, PHASER effect.~D/SE, H3500 502~ANALOG THICK~PATCH FACTORY~A warm, chorused, echo sound. Two adjustable, lowpass filters provide the warmness.~D/SE, H3500 503~BASS CHORUS~MULTI-SHIFT~Specifically tailored for bass, this is a simple, micro-pitched chorus.~D/SE, H3500 504~BUENOS NOTCHES~PHASER~Pleasant, sweeping notches will result when this effect is mixed with the dry audio.~D/SE, H3500 505~DEATH FLANGE~SWEPT REVERB~A deep, intense flange that's great for thickening up a synthesized bass line.~D/SE, H3500 506~DIGDLY & MICRO~MULTI-SHIFT~Dual digital delays with micro-shift on the outputs. A nice sounding setup useful for thickening up a synthesized bass line.~D/SE, H3500 507~DGDLY+WAH+MICRO~PATCH FACTORY~This is an unusual combination of a digital delay, a cycling 'wah- wah' filter, and a micro-pitch shift.~D/SE, H3500 508~DUAL H910 MICRO~MULTI-SHIFT~This program is designed to function like two Eventide H910 Harmonizer effects processors. The glitching you hear is intentional. This is a true dual program, where both left and right channels are processed separately.~D/SE, H3500 509~ENVELOPE FILTER~PHASER~This program consists of a resonant filter that sweeps as the input level changes. Try experimenting with the envelope-rate parameter.~D/SE, H3500 510~ENVELOPE PHASER~PHASER~Here, a PHASER sweep follows the input signal level.~D/SE, H3500 511~FLANGE & REVERB``~SWEPT COMBS~This is a reverb with a subtle, flanging effect.~D/SE, H3500 512~FLANGER~SWEPT COMBS~This is a basic, stereo flanger. For the best effect, mix the H3500 output with the dry signal.~D/SE, H3500 513~INSTANT PHASER~PHASER~A straightforward, sweeping PHASER, in memory of our famous product.~D/SE, H3500 514~JUST STEREO~MULTI-SHIFT~A very subtle, micro-pitch shift. Just enough to add a presence to an otherwise flat, mono sound.~D/SE, H3500 515~MAGIC AIR~MULTI-SHIFT~This has two upward micro-shifts and two delays in a tight, ambient formation. Use to liven and slightly raise flat vocals or to generally thicken sources.~D/SE, H3500 516~MANY REFLECTIONS~MULTI-SHIFT~Numbers of micro-pitched echoes slowly decaying upwards. Good, chorused, echo effect.~D/SE, H3500 517~MICRO + DRYSLAP~MULTI-SHIFT~A general-purpose thickener with some delay with feedback.~D/SE, H3500 518~MICRO + REVERB~MULTI-SHIFT~Includes a micro-shift and a quasi-reverb set of delays with feedback.~D/SE, H3500 519~MICROPITCHSHIFT~MULTI-SHIFT~This is the perfect effect to fatten up or widen a sound without adding any color.~D/SE, H3500 520~MICRO-REVERB~MULTI-SHIFT~Similar to above but much less discrete, with tighter delays.~D/SE, H3500 521~MICROPITCH-SLAP~MULTI-SHIFT~The left channel is micro-shifted and the right is a slap delay with micro-shift. Great for guitar.~D/SE, H3500 522~MULTI-DLYEFFECT~SWEPT COMBS~All kinds of subtle things going on here. Delays, echoes, flanging, chorusing.~D/SE, H3500 523~MULTI-FLANGE~SWEPT COMBS~With six delays being swept at once, this program creates a very thick, flange sound.~D/SE, H3500 524~QUADRUPLER~MULTI-SHIFT~Provides a dense, panned stereo field with two sweeping shifters and two delays. Denser than Voice Doubler (572) but similar in effect.~D/SE, H3500 525~RANDOM FLANGE~MULTI-SHIFT~Another doubling effect with random, moving, micro-pitch shifts.~D/SE, H3500 526~RESONANT SWEEP~PHASER~A medium-speed, resonant PHASER.~D/SE, H3500 527~RICH CHORUS~SWEPT COMBS~This program uses six delay lines to create a useful chorus effect. Try increasing (m delay) to get a subtler but more realistic effect.~D/SE, H3500 528~REAL CHORUS~MULTI-SHIFT~A convincing doubling effect. Pretty smooth.~D/SE, H3500 529~SPACE FLANGE~SWEPT REVERB~This program is like a digital delay, a reverb and a flanger all rolled into one.~D/SE, H3500 530~TREMOLO DELAY~MULTI-SHIFT~A long delay whose pitch warbles, creating a thick atmospheric effect. Use on guitar sound effects.~D/SE, H3500 531~TWO THICKENERS~MULTI-SHIFT~Two independent effects, each made up of a delay with pitch shift, and a discrete delay.~D/SE, H3500 532~ULTRA-THICK~MULTI-SHIFT~General thickener with a nice, stereo image.~D/SE, H3500 533~VOICE DOUBLER~LAYERED SHIFT~Sweeps two pitch shifters in opposite directions giving a convincing doubling effect.~D/SE, H3500 534~WATERY FLANGE~SWEPT COMBS~Just as the name suggests.~D/SE, H3500 535~ANALOG DELAYS~PATCH FACTORY~Warm echoes provided by lowpass filters.~D/SE, H3500 536~BUILD-A-SHIMMER~ULTRA-TAP~Eerie echoes that fade in and fade out.~D/SE, H3500 537~CIRCLES~ULTRA-TAP~A stereo delay effect that seems to circle around your head. The effect is most noticeable on short sounds, like handclaps.~D/SE, H3500 538~DIGITAL DELAY~LONG DIGIPLEX~A basic digital delay line, with feedback control.~D/SE, H3500 539~DUAL DELAYS~DUAL DIGIPLEX~Two simple delays. One left, one right.~D/SE, H3500 540~ECHOPLEXINGPONG~DUAL DIGIPLEX~An echo that bounces from one side to another.~D/SE, H3500 541~ECHO RAMP~LONG DIGIPLEX~A manually triggerable program with a delay that sweeps down and up when the trigger key is pressed.~D/SE, H3500 542~FAT SLAP~ULTRA-TAP~A slap delay with an ambient sound.~D/SE, H3500 543~5TH AVE ECHO~ULTRA-TAP~Delays and diffusion are selected to sound a lot like those on a big city street.~D/SE, H3500 544~LONG DELAY~LONG DIGIPLEX~Simple, long delay.~D/SE, H3500 545~MULTI-TAP~ULTRA-TAP~If you own an Eventide SP2016, you'll be familiar with this sound. This preset emulates the SP2016 Multi-Tap program, with a slightly shorter overall.~D/SE, H3500 546~PING PONG BALL~ULTRA-TAP~Another echo that bounces side to side. But, the echo shortens with time.~D/SE, H3500 547~SETTLEDOWN ECHO~BAND DELAY~Echoes that go from bright to warm.~D/SE, H3500 548~SOFT SHORT ECHO~DENSE ROOM~A very smooth, diffuse echo.~D/SE, H3500 549~SPACE ECHO~PATCH FACTORY~Simulates a very popular tape delay from the 70's. Even adds tone controls and tape warble for that thick, analog sound.~D/SE, H3500 550~SUBTLE SWEEP~DUAL SHIFT~Two subtle, sweeping delays. This is ideal for turning mono sources into stereo. Pan original source to one side and its sweeping delay to another.~D/SE, H3500 551~SWEEP RIGHT~ULTRA-TAP~Exponential increasing delays that are panned from left to right. Mono in, stereo out.~D/SE, H3500 552~THICK LOOP~SWEPT REVERB~A repeating delay that fades into a reverb sound.~D/SE, H3500 553~THREE ON TWO~DUAL DIGIPLEX~The delays in this program are set such that the familiar three against two rhythm is produced: (feedback) controls the amount of feedback, (mix) wet/dry effect mix.~D/SE, H3500 554~WIDENING TAPS~ULTRA-TAP~The echoes get longer as time goes on, spreading from the center to the sides of the stereo field.~D/SE, H3500 555~AMBIENCE~ULTRA-TAP~Use this to add ambience without muddying the mix.~D/SE, H3500 556~AMBIENT BOOTH~DENSE ROOM~A short but natural reverberation.~D/SE, H3500 557~BATHROOM~REVERB FACTORY~Lots of highs left in by those ceramic tiles.~D/SE, H3500 558~CHORUS ROOM~SWEPT REVERB~Short reverb with chorus. Nice for instruments but perhaps not with drums.~D/SE, H3500 559~CRASS ROOM~DENSE ROOM~A harsh, hollow reverb reminiscent of those good old school days.~D/SE, H3500 560~DE-BURR~ULTRA-TAP~Takes the edge off of sharp attacks.~D/SE, H3500 561~DREW'S CHAMBER~DENSE ROOM~Medium-short, natural reverb.~D/SE, H3500 562~DRUM AMBIENCE~DENSE ROOM~A soft ambience that just barely livens up otherwise dry sounds.~D/SE, H3500 563~EMPTY CLOSET~SWEPT REVERB~This reverb is very short. You almost can't detect it. Use it for situations where you really don't want to hear a reverb.~D/SE, H3500 564~EMPTY ROOM~SWEPT REVERB~Medium reverb with slight chorus. Sounds nice on regular instruments.~D/SE, H3500 565~MEDIUM SPACE~SWEPT REVERB~Another medium reverb with slight chorus. This has a more natural sound and the chorus is very slight.~D/SE, H3500 566~NEW HOUSE~SWEPT COMBS~Use this to get that metallic sound of an empty, reflective room.~D/SE, H3500 567~PRCSVHORN PLATE~DENSE ROOM~A plate reverb that enhances natural or synthesized horn sounds.~D/SE, H3500 568~REAL ROOM~SWEPT REVERB~Short reverb with a natural airiness.~D/SE, H3500 569~SMALL ROOM~REVERB FACTORY~A small-room reverb.~D/SE, H3500 570~SMLSTEREOSPACE~SWEPT REVERB~Very short ambience with a slight chorus added in order to give it a big, full sound for its short duration.~D/SE, H3500 571~SMALLVOCAL ROOM~DENSE ROOM.~Medium-length reverb tailored for vocals.~D/SE, H3500 572~TIGHT ROOM~DENSE ROOM~A short, bright reverb.~D/SE, H3500 573~TIGHT & BRIGHT~DENSE ROOM~Like above but longer and brighter.~D/SE, H3500 574~VOCAL BOOTH~DENSE ROOM~Short, natural reverb with a slight delay.~D/SE, H3500 575~ALIVE CHAMBER~SWEPT REVERB~Large, chorus reverb. A real, full sound.~D/SE, H3500 576~BIG SNARE~REVERB FACTORY~This is a sizzling reverb, somewhat gated with lots of punch for drums.~D/SE, H3500 577~BIG SWEEP~SWEPT REVERB~To really hear the sweep, turn up the master feedback, make some noise and then change the master delay.~D/SE, H3500 578~BOB'S ROOM~DENSE ROOM~A warm, long reverb, useful on lots of sources.~D/SE, H3500 579~BREATHING CANYON~SWEPT REVERB~A very long reverb. Very roomy.~D/SE, H3500 580~BRIGHT ROOM~REVERB FACTORY~A short, bright reverb.~D/SE, H3500 581~CANYON~REVERB FACTORY~Our biggest reverb sound, like an echoing canyon.~D/SE, H3500 582~CONCERT HALL~DENSE ROOM~A big hall with a lot of predelay.~D/SE, H3500 583~DARK ROOM~DENSE ROOM~Yes, another dark reverb. Sounds like the inside of a big, petroleum tank.~D/SE, H3500 584~DISCRETE-VERB~SWEPT COMBS~A sparse, reverb effect.~D/SE, H3500 585~NORTHWEST HALL~DENSE ROOM~Very similar to Concert Hall except that the reverb is somewhat more discrete.~D/SE, H3500 586~RICH PLATE~SWEPT REVERB~A slight sweep in this reverb gives it a rich sound and a smooth tail.~D/SE, H3500 587~SLAPVERB~DENSE ROOM~A short delay and then a bright, long reverb.~D/SE, H3500 588~SMOOTH PLATE~DENSE ROOM~Airy and smooth.~D/SE, H3500 589~WARM HALL~REVERB FACTORY~Our basic reverb sound.~D/SE, H3500 590~BACKWARD REVERB~MULTI-SHIFT~A quasi-reverb made up of little, backward bits of the input. One of a kind.~D/SE, H3500 591~ECHO-VERB~DENSE ROOM~A discrete, echo-like reverb.~D/SE, H3500 592~EXPLODING 'VERB~REVERB FACTORY~This sounds like a reverb, until the input level goes above the gate threshold. Once triggered, the reverb sound grows explosively.~D/SE, H3500 593~GATED REVERB~REVERB FACTORY~That very familiar drum effect. To change the length of the 'gate' sound, set the gate length parameter.~D/SE, H3500 594~GATED ROOM~REVERB FACTORY~A warm-sounding, gated room best used on one source such as snare drum or toms.~D/SE, H3500 595~GATE ROOM~REVERB FACTORY~Like above but with a more natural decay.~D/SE, H3500 596~HUMP-VERB~ULTRA-TAP~A very unique reverb with a sound not unlike the name.~D/SE, H3500 597~METALVERB~ULTRA-TAP~A metallic set of closely packed delays approaching reverb density.~D/SE, H3500 598~RANDOM GATE~ULTRA-TAP~A 'gated reverb' sound created with the ULTRA-TAP program. Great for drums.~D/SE, H3500 599~RESONANT WORLD~STRING MODELER~This one is different. A long-lasting 'reverb' with bizarre resonances and echoes.~D/SE, H3500 600~REVERSE GATE~ULTRA-TAP~Another standard drum reverb.~D/SE, H3500 601~REVERB RAMP~SWEPT REVERB~A triggerable, sweeping reverb. It sweeps up the first time it is triggered and toggles from then on.~D/SE, H3500 602~SHIMMERISH~SWEPT REVERB~A recirculating delay effect that fades into a smooth reverb.~D/SE, H3500 603~TONAL ROOM~SWEPT REVERB~With pitched inputs, this reverb will actually generate many other tones. On drums, this is one of the biggest sounds you can get.~D/SE, H3500 604~UP/DOWN REVERB~MULTI-SHIFT~User selectable, rising or falling reverb-like effect.~D/SE, H3500 605~A MINOR CHORDS~DIATONIC SHIFT~Play or sing a solo line in A minor. The H3500 will generate two perfect 'in-key' harmonies.~D/SE, H3500 606~ARPEGGIOS~MULTI-SHIFT~Adds a fifth and an octave rhythmically, along with a short delay.~D/SE, H3500 607~BASS SHIFT~MULTI-SHIFT~A doubling effect intended for bass guitar. One channel is shifted up an octave. The other is slightly detuned.~D/SE, H3500 608~DEEPEN~PATCH FACTORY~Adds lower octave harmonics with a pitch shifter sweep.~D/SE, H3500 609~DIATONIC DANCE~DIATONIC SHIFT~You play a note and after half a second, you get a harmony. Use one note at a time, in an effect loop.~D/SE, H3500 610~DUAL SHIFT EASY~DUAL SHIFT~An easy-to-use program featuring two pitch shifters with function knobs set up, with pitch calibrated in semitones (1/2 steps).~D/SE, H3500 611~GLITCH SHIFT~DUAL SHIFT~A 'cheap' sounding pitch shifter. If glitches are what you want, here they are.~D/SE, H3500 612~GREGORIAN SHIFT~PATCH FACTORY~This program filters and pitch shifts input voices to produce a chorus of droning monks.~D/SE, H3500 613~H949~LAYERED SHIFT~This gives you what the H949 gave you. One output is a straight delay while other is pitch shifted. Both outputs are fed back to the input.~D/SE, H3500 614~HAMMER-ON 3RD~DUAL DIGIPLEX~You, too, can play like the flashiest guitarist, without the years of hard work and shredded fingers. Will take one note and arpeggiate it to sound like a familiar two-handed guitar technique.~D/SE, H3500 615~HAMMER-ON 5TH~DUAL DIGIPLEX~Similar to above but different intervals.~D/SE, H3500 616~HARMO-CHORUS~MULTI-SHIFT~A pitch shifter and chorus combined.~D/SE, H3500 617~IN SIX~MULTI-SHIFT~6/8 time is implied in this preset which adds a fourth down, a minor third up, and a minor sixth up.~D/SE, H3500 618~JUST 3RD & 5TH~DIATONIC SHIFT~A 'diatonic' pitch shifter that will generate just-intoned 3rds and 5ths above the input. Make sure to set the key properly.~D/SE, H3500 619~JUST 4TH & 6TH~DIATONIC SHIFT~Generates just-intoned 4ths and 6ths above the input.~D/SE, H3500 620~MUSIC SHIFT~STEREO SHIFT~This stereo, pitch shift program is optimized for shifting input program material.~D/SE, H3500 621~OCTAVE ECHOES~MULTI-SHIFT~Complex delays which are fed back and combined with a radically down-shifted signal.~D/SE, H3500 622~PITCHED ECHO~MULTI-SHIFT~Shows off one aspect of the MULTI-SHIFT algorithm's feedback setup. Long echoes come back shifted but the shorter delays don't.~D/SE, H3500 623~PITCH QUANTIZE~DIATONIC SHIFT~This program quantizes the input to the nearest chromatic interval.~D/SE, H3500 624~SUSPENSE~MULTI-SHIFT~Echoes are shifted to create suspenseful harmonies.~D/SE, H3500 625~THIRD & FIFTH~DIATONIC SHIFT~Generates an 'in-key' third and fifth above the input.~D/SE, H3500 626~THIRD & OCTAVE~DIATONIC SHIFT~This generates a diatonic third above and an octave below the input.~D/SE, H3500 627~TWELVE STRING~MULTI-SHIFT~Provides an octave down and a micro-pitch shift, simulating a twelve-string guitar.~D/SE, H3500 628~VIBRATO~MULTI-SHIFT~Instant vibrato at the press of a button.~D/SE, H3500 629~VOICE SHIFT~STEREO SHIFT~This STEREO SHIFT program is optimized for pitch shifting program material whose main content is spoken voice.~D/SE, H3500 630~ALIENS~REVERSE SHIFT~Transforms voice into a rough, alien-like sound.~D/SE, H3500 631~ANTI-AMBIENCE~REVERSE SHIFT~This is a reverb-like sound created from REVERSE SHIFT. Sounds great on guitar.~D/SE, H3500 632~AUTOPANNER~SWEPT COMBS~Produces automatic stereo (left<->right) panning.~D/SE, H3500 633~AVANTE-GARDE~REVERSE SHIFT~A REVERSE SHIFT effect that generates descending, chromatic lines.~D/SE, H3500 634~BACKWARDS~REVERSE SHIFT~Turns the input around in one-second chunks.~D/SE, H3500 635~BAND PAN~BAND DELAY~Rhythmically, panned and delayed, with its own bandpass filter.~D/SE, H3500 636~BAND SLAP~BAND DELAY~A stereo, slap effect using two bands that are fed back. One band is tuned higher.~D/SE, H3500 637~BANDSWEEPRAND~BAND DELAY~A random-pitched set of bands that are delayed and pass from left to right in the stereo field.~D/SE, H3500 638~BAND SWEEP~BAND DELAY~Upward-sweeping bands passing from left to right.~D/SE, H3500 639~BIZARREMONIZER~LAYERED SHIFT~Generates a bizarre, upward-sweeping pitch shift.~D/SE, H3500 640~CANNONS~REVERSE SHIFT~A unique, sweeping sound that's great on drums. Try playing a tom solo through this.~D/SE, H3500 641~CRITICAL BAND~PATCH FACTORY~A close approximation to Fletcher/Munson bandpass curves. Use to brighten signals or key compressors and gates to frequencies to which our ears are most sensitive.~D/SE, H3500 642~CRYSTAL ECHOES~MULTI-SHIFT~Words fail. A stairway of echoes reaching for heaven.~D/SE, H3500 643~DRUM PROCESSOR~SWEPT REVERB~This very different effect tends to make things that aren't drums sound like drums. Try adjusting the first four parameters for a variety of effects.~D/SE, H3500 644~FILTER PAN~PATCH FACTORY~A filter, sweep effect that seems to pan as it sweeps.~D/SE, H3500 645~FUTURE SHIFT~MULTI-SHIFT~A shimmering, orchestral effect. Try on swelling, monophonic synths or single-line voices.~D/SE, H3500 646~LIQUID REVERB~BAND DELAY~A reverb-like program with BAND DELAYs whose filters sweep downward with increasing delay length.~D/SE, H3500 647~LOWPASS FILTERS~PATCH FACTORY~Two lowpass filters connected in series process the audio. Use cutoff 1 and 2 to control the rolloff frequencies. Use Q factor 1 and 2 to control the resonance of the filters.~D/SE, H3500 648~MAJOR WIND HARP~STRING MODELER~The first in a series of resonant, reverb-like programs. This program acts like sympathetically resonating strings tuned to a major scale.~D/SE, H3500 649~MODULATORS~MULTI-SHIFT~Remember that ring-modulated astronaut sound? Here it is, constructed from a pitch shifter that reverses little segments of the input.~D/SE, H3500 650~MODULATOR-VERB~MULTI-SHIFT~Similar to above with more reverb-like decay.~D/SE, H3500 651~OCTAVE FILTERS~BAND DELAY~Gurgling, upward-sweeping filter bands.~D/SE, H3500 652~PSYCHO-PANNER~SWEPT COMBS~This program swirls the input in pitch, pan and delay: (range) controls the range of delay and pitch sweep, (feedback) lower this to reduce the decay time, (pan rate) controls the panning and sweep speed, (mix) wet/dry effect mix.~D/SE, H3500 653~RESONANT MAJ7~STRING MODELER~Sets up sympathetic resonances that form a Major seventh chord.~D/SE, H3500 654~RESONANT PENT~STRING MODELER~Same as above, except resonances form pentatonic scale.~D/SE, H3500 655~REVERSERB~MULTI-SHIFT~A reverb-like effect made up of little, backward bits of the input signal. Try shortening the 'size' parameter to smooth it out a little.~D/SE, H3500 656~RUNTHRUMYMIND~BAND DELAY~An echo that bounces and changes timbre back and forth.~D/SE, H3500 657~SCARY MOVIE~REVERSE SHIFT~This program uses REVERSE SHIFT to create an evil-sounding voice. Use with guitar to create that tape splice, psychedelic sound.~D/SE, H3500 658~S/H PAN-A-DELAY~BAND DELAY~Very similar to RunThruMyMind but with different timbres.~D/SE, H3500 659~SLAP+WAH+MICRO~PATCH FACTORY~A slap delay, a sweeping wah-wah, and a microshift all from one program.~D/SE, H3500 660~SPACE CRICKETS~BAND DELAY~Circulating, up-sweeping BAND DELAYs.~D/SE, H3500 661~STUTTER~STUTTER~Use this for that popular STUTTER sound.~D/SE, H3500 662~STUTTER RANDOM~STUTTER~Random STUTTERs at your control.~D/SE, H3500 663~SWEEP DOWN~BAND DELAY~Rhythmically panned and delayed, with its own bandpass filter.~D/SE, H3500 664~SWEEP & REVERB~STRING MODELER~Sounds reverb-like until manually triggered, which causes a radical, mystical, up-and-down sweep.~D/SE, H3500 665~SWEEP UP/DOWN~BAND DELAY~BAND DELAYs on left sweep up, BAND DELAYs on right sweep down.~D/SE, H3500 666~SWEEP UP LINEAR~BAND DELAY~Rising BAND DELAYs sweeping from right to left.~D/SE, H3500 667~SWEEP UP~BAND DELAY~Similar to above w/bands tuned one octave apart.~D/SE, H3500 668~TALKING GUITAR~VOCODER~Vocoder tailored for the guitar.~D/SE, H3500 669~TRIGGERED SCALE~STRING MODELER~Another sympathetic resonator program, except this one has a twist. Press the 'trigger' key to get a unique, harp-like strumming sound.~D/SE, H3500 670~TUBE CLONE~BAND DELAY~This is strictly meant for guitars. Play, with distortion, directly through the H3500 and this program will add a nice, crunchy EQ.~D/SE, H3500 671~TWO-BAND FILTER~PATCH FACTORY~Two general-purpose bandpass filters with tunable center frequency and filter Q.~D/SE, H3500 672~WAH WAH + MICRO~PATCH FACTORY~Combines a sweeping filter (wah-wah) with a micro-shift.~D/SE, H3500 73~WAH WAH~PATCH FACTORY~A basic, cyclical wah-wah sound using filters and a function generator.~D/SE, H3500 674~WAH-VERB~BAND DELAY~This sounds like a reverb with a wah-wah.~D/SE, H3500 675~A 440~PATCH FACTORY~Need a reference tuning tone? Here it is. You can mix in the sound you are tuning or fine adjust the pitch for slightly different tunings.~D/SE, H3500 676~GUITAR-ESQUE~STRING MODELER~Connect MIDI up and you have a mellow, guitar sound. The input signal will also affect the sound out.~D/SE, H3500 677~HVYMETAL CELLO~STRING MODELER~The string is briefly bowed and left to ring. The harder you hit the key, the longer the bowing. Feeding input sound will affect the timbre of the note.~D/SE, H3500 678~KEYBOARD~STRING MODELER~An adjustable keyboard sound where you can tailor the sound to your tastes. Also, try your pitch wheel and hit the same note a number of times.~D/SE, H3500 679~KOTO~STRING MODELER~By itself, a very delicate sound. Feed in some input, and the sound takes on all kinds of characters.~D/SE, H3500 680~LS BACH HARPSCD~STRING MODELER~Bright and crisp harpsichord.~D/SE, H3500 681~LS BOWED STRING~STRING MODELER~An airy, resonant noise.~D/SE, H3500 682~LS CLAVICHORD~STRING MODELER~This is a more classical clavichord sound than we're used to. Use pressure to bend the notes.~D/SE, H3500 683~LS FAR STRINGS~STRING MODELER~Your not-so-standard string section.~D/SE, H3500 684~LS HARP RESONS~STRING MODELER~A hollow, harp sound.~D/SE, H3500 685~LS HARPSICHORD~STRING MODELER~Like the Bach but fuller.~D/SE, H3500 686~LS HIT STRING~STRING MODELER~Crisp and full-struck strings.~D/SE, H3500 687~LS NOSTALGIA~STRING MODELER~This has that honky-tonk sound.~D/SE, H3500 688~LS PSEUDO PIANO~STRING MODELER~An almost piano.~D/SE, H3500 689~LS ZITHER~STRING MODELER~Plucked strings that are full and chorused. Hitting harder will change the timbre.~D/SE, H3500 690~ALICE-VERB~DENSE ROOM~This is a reverb. With each note you hit, you could have a different decay time. Also, the harder you hit, the less bright the reverb.~D/SE, H3500 691~DUAL GLIDEDELAY~DUAL DIGIPLEX~The delay lines are controlled by MIDI.~D/SE, H3500 692~FILTER SWEEPS~BAND DELAY~A recirculating sweep up is swept by the function generator.~D/SE, H3500 693~GLIDE DELAY~LONG DIGIPLEX~This is a mono version of Dual Glide Delay.~D/SE, H3500 694~MIDI 3 ON 2~DUAL DIGIPLEX~This preset will sync up its delay times to a MIDI drum machine or sequencer. The delays are in the familiar 3 on 2 pattern.~D/SE, H3500 695~MIDI PEDALSWEEP~SWEPT REVERB~The MIDI foot-pedal controller will manually sweep the delays in this program to generate a flange-like sound. The Modulation Wheel controls modulation of the delays.~D/SE, H3500 696~MIDIPLEX~LONG DIGIPLEX.~Connect a MIDI drum machine or sequencer to this program and the delay will automatically be in time.~D/SE, H3500 697~MIDI BANDSWEEP~BAND DELAY~This program does process audio, but generates an interesting sweep when a MIDI note message is received.~D/SE, H3500 698~MODWHEEL REVERB~SWEPT REVERB~When connected to a MIDI keyboard, the Mod Wheel controls the decay time and the Pitch Wheel controls the delay (room size). Use this to easily generate dramatic reverb sweeps.~D/SE, H3500 699~ROCK 'N' ROLL~LAYERED SHIFT~This one's a bit different. Capture an audio loop by pressing the 'sustain' parameter. Play a note on a MIDI keyboard to hear the loop. Moving the Mod Wheel will alter the loop points (a bit like rocking tape reels).~D/SE, H3500 700~AIR~STEREO SHIFT~A long, subtle echo.~D/SX, D/SE, H3500 701~A LYDIAN 6THS~DIATONIC SHIFT~Play solo lines using A Lydian modal scales. If you don't know what a modal scale is, play in the key of E major.~D/SX, D/SE, H3500 702~A mi WATER WELL~DIATONIC SHIFT~Creates delayed harmonies in A minor.~D/SX, D/SE, H3500 703~A MIXO AIR~DIATONIC SHIFT~A seventh and third that's way back in the mix. Play in A Mixolydian.~D/SX, D/SE, H3500 704~ANGEL HAIR~STEREO SHIFT~Ascending-octave echoes.~D/SX, D/SE, H3500 705~ARP~DUAL SHIFT~Arpeggio with major sixth and fourth.~D/SX, D/SE, H3500 706~ARPEGGIATOR~DUAL SHIFT~Ascending-arpeggiated echoes.~D/SX, D/SE, H3500 707~BELL ECHOES~LAYERED SHIFT~Slap echoes, first up a fifth, then unshifted.~D/SX, D/SE, H3500 708~BIG & LONG~DUAL DIGIPLEX~Doubling on the left, a long delay on the right. Be sure to use both inputs.~D/SX, D/SE, H3500 709~BIG ROOM CHORUS~SWEPT COMBS~A BIG, chorused-room sound.~D/SX, D/SE, H3500 710~BIG GROUND~REVERSE SHIFT~A killer, atonal effect.~D/SX, D/SE, H3500 711~BIG LIGHT ECHO ~REVERSE SHIFT~A psychedelic, REVERSE SHIFT effect. You may see the light.~D/SX, D/SE, H3500 712~BOUNCE VERB~ULTRA-TAP~A boingy reverb that's perfect for adding a real crunch to overdriven guitar.~D/SX, D/SE, H3500 713~CHORUS 'N' ECHO~DUAL SHIFT~Chorus on both channels, echo on the right.~D/SX, D/SE, H3500 714~CHORUS 'N' FLANGE~DUAL SHIFT~Chorus on the left, flange on the right. To get more 'flange,' turn up the right feedback.~D/SX, D/SE, H3500 715~CLUSTER ECHO~DIATONIC SHIFT~A slap that comes back as a tone cluster.~D/SX, D/SE, H3500 716~DEATHLESS ROOM~ULTRA-TAP~Even crunchier than Bounce-Verb.~D/SX, D/SE, H3500 717~DELAY TO WASH~REVERB FACTORY~This repeating delay eventually fades into a reverb.~D/SX, D/SE, H3500 718~ECHO BOUND~ULTRA-TAP~Left/Right echoes keep coming at you then stop.~D/SX, D/SE, H3500 719~ENDLESS CAVE~ULTRA-TAP~A dense, cave-like reverb.~D/SX, D/SE, H3500 720~EZCHORUS~LAYERED SHIFT~Instant, stereo guitar.~D/SX, D/SE, H3500 721~FALLING FLANGER~LAYERED SHIFT~Flanger left, delay right.~D/SX, D/SE, H3500 722~GREEN WRINGER~STEREO SHIFT~Turns your guitar into vegemite.~D/SX, D/SE, H3500 723~HEAVEN~REVERSE SHIFT~Play anything into this. It will sound good.~D/SX, D/SE, H3500 724~HELL~REVERSE SHIFT~An unearthly sound.~D/SX, D/SE, H3500 725~HEXA CHORUS~SWEPT COMBS~Super-thick chorus.~D/SX, D/SE, H3500 726~HEXA FLANGE~SWEPT COMBS~Super-thick flange.~D/SX, D/SE, H3500 727~INSOMNIA~DUAL SHIFT~Descending, chromatic intervals. This one will keep you up.~D/SX, D/SE, H3500 728~KICK BACK CHORUS~DUAL DIGIPLEX~A long delay that comes back in stereo.~D/SX, D/SE, H3500 729~LOVE GUNPLAY IN C~DIATONIC SHIFT~If you like sevenths, you'll like this one.~D/SX, D/SE, H3500 730~MINOR 7TH ECHOES~DIATONIC SHIFT~Backwards minor 3rd and 7th echoes. Sounds great if you play up high and dirty.~D/SX, D/SE, H3500 731~MONDO CHORUS~DUAL SHIFT~A wide chorus that still keeps its punch.~D/SX, D/SE, H3500 732~OCTAVE DISPLACE~LAYERED SHIFT~Delayed octaves, up and down.~D/SX, D/SE, H3500 733~OCTAVE FRENZY~LAYERED SHIFT~Octaves with feedback.~D/SX, D/SE, H3500 734~OUTDOOR ARENA~REVERSE SHIFT~Big stadium, backwards echoes.~D/SX, D/SE, H3500 735~PARADITTLE~ULTRA-TAP~Diffused machine-gun echoes.~D/SX, D/SE, H3500 736~REVERB-a-BOUND ~ULTRA-TAP~Thick reverb with a long attack time.~D/SX, D/SE, H3500 737~SLOPPY 5THS~STEREO SHIFT~Detuned fifths. Great for solos.~D/SX, D/SE, H3500 738~SMALL Chorus ROOM~SWEPT COMBS~A small room with an intense chorus.~D/SX, D/SE, H3500 739~SMALL DARK ROOM~REVERB FACTORY~A realistic, small-room reverb.~D/SX, D/SE, H3500 740~SPACE CATS~SWEPT COMBS~This defies explanation.~D/SX, D/SE, H3500 741~STUPIT GUN~STEREO SHIFT~A dissonant pitch, sweep down.~D/SX, D/SE, H3500 742~SYNTHISH~DUAL SHIFT~Distorted guitar in, synth out.~D/SX, D/SE, H3500 743~TARUS BULBA Em~DIATONIC SHIFT~A fifth up, fourth down, in E minor.~D/SX, D/SE, H3500 744~THE BLUBBA HOZE~LAYERED SHIFT~First a fourth down, then a fifth up.~D/SX, D/SE, H3500 745~TIGHT CHORUS~STEREO SHIFT~A micro-shift that preserves stereo imaging.~D/SX, D/SE, H3500 746~TRIPPLE SLAP~SWEPT COMBS~Three closely spaced echoes.~D/SX, D/SE, H3500 747~TRIPPLE TREAT~DUAL DIGIPLEX~Two long echoes, plus the original, make three.~D/SX, D/SE, H3500 750~ADR TAPE HISS~PATCH FACTORY~Provides hiss to use for matching edits between analog and digital sources.~H3500 751~BOING HIT~PATCH FACTORY~Sounds like a boing hit you know the show.~H3500 752~CIRCLES~ULTRA-TAP~Delays that sound like they sweep in circles.~H3500 753~DAY IN THE LIFE~SWEPT REVERB~Long, nightmarish reverb.~H3500 754~DRAGWAY AD~PATCH FACTORY~One-stop preset for those annoying ads.~H3500 755~FADE TO DREAM~LAYERED SHIFT~Gives illusion of drifting off into dream.~H3500 756~GIL'S ROOM~REVERB FACTORY~Smooth, roomy reverb. Sounds good to Gil.~H3500 757~GREGORIAN CHANT~PATCH FACTORY~Adds fifths to input ala Gregorian Monks.~H3500 758~HOUSE VERB~SWEPT COMBS~Sounds like the echo in a new house without furniture.~H3500 759~JET FLY BY~PATCH FACTORY~Convincing stereo, jet plane.~H3500 760~LASER HIT~PATCH FACTORY~"Captain, I can't make the shields last much longer!"~H3500 761~MassiveStringTap~ULTRA-TAP~Delays set mondo-wide and big for strings.~H3500 762~MEGAPHONE~PATCH FACTORY~Come out with your hands up.~H3500 763~MovingVocalSprd~MULTI-SHIFT~Left output moves up nine cents, right moves down nine cents, with sine wave modulation.~H3500 764~PLUCK HIT~PATCH FACTORY~Hi-tech, plucking sound.~H3500 765~PULSING ROOM~DENSE ROOM~Long, warm verb.~H3500 766~RANDOM SHIFT~LAYERED SHIFT~Random-shifting thickener.~H3500 767~REVERSE DOGS~REVERSE SHIFT~Low octaves, howling backwards.~H3500 768~RIPPED WOOFER~PATCH FACTORY~Damn! Should have kicked in the subsonic filter for that jet sample!~H3500 769~SHIMMERISH~SWEPT REVERB~Ethereal sounding, verb-like effect.~H3500 770~STEREO COPTER~PATCH FACTORY~Stereo-sounding helicopter.~H3500 771~ST PETERS CATH~REVERB FACTORY~BEEEG reverb senor!~H3500 772~TELEPHONE~PATCH FACTORY~One-stop, telephone-voice sound.~H3500 773~THUNDER BOLT~PATCH FACTORY~Sounds like thunder.~H3500 774~TV/RADIO/JUKE~PATCH FACTORY~Sounds like box in the next room.~H3500 775~VOICE DISGUISER~SWEPT COMBS~Useful for covering identity of interviewee's voice for controversial/confidential radio or television appearances.~H3500 776~WalaWala~DUAL SHIFT~Conversation simulator three from one.~H3500 777~WARPED LP~STEREO SHIFT~Guess what this sounds like?~H3500 778~WINDSTORM~PATCH FACTORY~Bundle up before you load this preset.~H3500 779~DIRECT BOX~PATCH FACTORY~Very clean, direct box. See manual for changing gain. Avoids analog to digital converters unless 'effect' is turned up. At unity gain, S/N is well over 100dB on Channel 1.~H3500 780~MEAN OCTAVES~PATCH FACTORY~Distortion with octave pitch shift.~H3500 781~PIGNOSY~PATCH FACTORY~A popular, little guy.~H3500 782~R & B PLUCK~PATCH FACTORY~Has that clean sound with flange and delay.~H3500 783~SCREAMER DELAY~PATCH FACTORY~Gritty distortion with delay.~H3500 784~SCREAMER uPITCH~PATCH FACTORY~Gritty distortion with added delay and harmony.~H3500 785~SILVERTONE II~PATCH FACTORY~That old beginner's sound.~H3500 786~ULTRALUX~PATCH FACTORY~Bright, rhythm sound.~H3500 793~CLONEVERB~REVERB FACTORY~Bright, medium room.~D/SE, H3500 794~LIKE ENOSE IN E~REVERB FACTORY~Resonating gated and echo in key of E.~D/SE, H3500 795~LONG & SMOOTH~REVERB FACTORY~Long, smooth, bright hall.~D/SE, H3500 796~MEAT LOCKER~REVERB FACTORY~Sounds like a meat-locker-sized space.~D/SE, H3500 797~MIDI 3 ON 2~DUAL DIGIPLEX~Delays scaled by MIDI clock period.~D/SE, H3500 798~MIDIPLEX~LONG DIGIPLEX~Single delay scaled by MIDI clock.~H3500 799~MULTI FLANGERS~SWEPT COMBS~Resonant set of flangers. Watch clipping.~D/SE, H3500 Note: The description "All units" listed at the end of presets in the 800 through 899 range refers to all current models (i.e., H3000-D/SE, H3000-D/SX, H3500, H3000-B, H3000-B/LT) and any old-style unit with the MOD FACTORY update kit installed.
800~allpass detune~MOD FACTORY~Uses two detuners in series to give a unique, reverb-like chorus.~All Units |
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